The Far Shore Mods (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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thenearshore2018-12-17 12:29 am
godsoffortune) wrote in thenearshore2018-12-17 12:29 am
Entry tags:
- !cultist arc,
- !cultist arc | char discussions,
- aymeric de borel | final fantasy xiv,
- chikusa kakimoto | katekyo hitman reborn,
- ebisu | noragami,
- ginia | original character,
- suzaku kururugi | code geass,
- ω archer [emiya] | fate stay night,
- ω emizel | disgaea 4,
- ω sora | kingdom hearts,
- ω zelda | loz: ocarina of time
Interlude: Meeting with Amaterasu
Who: Amaterasu and characters who have shared information with her, her advisers or her shinki
When: March 8, Evening
Where: The Meeting Hall
What: Amaterasu is bringing together newcomers of proven loyalty in order to share her own information and plans.
New gods and shinki who have offered their help to Amaterasu or her advisers, or who have given her information about any of the cult activities, will find a white-robed shinki knocking at their temple door or dropping by their table at the post-training meal on March 8th.
The invitations have the following text:
Lady Amaterasu invites you and your trusted allies to join her for an important announcement. The shinki who delivered this message will conduct you to the meeting.
The shinki carrying these invitations will wait until the invited person and their guests are ready, or will leave if the invitation is declined.
Guests are directed to an inner room in the Meeting Hall, where, on entry, they will discover that they seem to be floating in an endless dark void. Amaterasu stands at the center of the void, brilliantly illuminated; she's not wearing her usual mirror crown, and there is a short woman in old-fashioned white robes with the sleeves tied back standing beside her.
Amaterasu and the shinki accompanying her begin to speak once everyone has arrived. They have ink paintings of Votelli (although the features aren't very well rendered, as though it was painted from a description rather than by someone who'd seen her) and of Sotero (this painting is much more accurate and detailed.) These paintings are displayed on small stands behind Amaterasu.
"These two rogue gods have declared their enmity against myself and the Heavens through attacking and even imprisoning you, as well as attacking many of my shinki. They have even used humans as their agents to act in the mortal world." She holds out a hand to indicate the sketchier painting. "This one's name is Votelli. She is declared anathema. Should you see her, capture her, and bring her to me." The other, better-drawn painting is next. "This one's name is Sotero. He is declared anathema, and should you see him, capture him and bring him to me.
"We prefer them alive, but if they resist too fiercely to survive capture, we will still reward their captors highly."
The woman behind her takes the paintings down and folds the stands, disappearing into the dark with her armful of props, as Amaterasu continues speaking.
"We have located areas of the Near Shore that these gods have used as their sanctuaries in their invasions of the Heavens. The forest that Votelli used, many of you have visited. However, it seems that she can either hide there too well to be found unless she wills it, or she has gone elsewhere. We continue to search for her. My shinki have searched the volcano that Sotero used, as well, but with no greater success.
"It is possible that these gods have protected themselves somehow from the eyes of my shinki. I ask for your assistance searching for them both."
The woman reappears, without the easels and carrying two handfuls of charms instead; they are small, embroidered pouches that look like the charms found in the department store and around shrines at New Year's. Sabimei steps forward; he looks like he hasn't had enough sleep in weeks, and the harsh spotlight brings out the dark bags under his eyes.
"These things are using a magic I can't figure out," he says: his tone is almost petulant, but he moderates it at a reproving glare from the other shinki. "I suspect it's related to those two gods. I can tell you that they drain good fortune from anything nearby -- these are inert, don't worry, but I wouldn't keep one in my pocket if I were any of you. Burn them, or give them to me, because it's not as if I don't have enough to do--"
At another glare, he clears his throat. "In any case, placing these in our shrines at the New Year's represents a direct attack on our fortunes and our followers'. It seems that these gods consider us all enemies alike. Ask me later if you want to hear more about what I've been doing with these things." He bows, and steps back into the darkness. Amaterasu's formal demeanor softens for long enough to pat her other shinki's arm; the woman smiles down at her before tucking away the charms.
"Several humans have been implicated in assisting the enemy gods," she announces. "We do not act directly against mortals, but my shinki are watching their residences, in case our enemies should appear there. It is possible that there are more, and so, I ask that you help my shinki in that task, for if those two gods are no longer in the places that they once linked to the Heavens, then they must be concealed somewhere. My shinki will show you to these humans' residences if you are willing to assist.
"When we find them, we intend to ride to destroy them, and I invite you to join the hosts of Heaven when we do so, as well."
She folds her hands together, her long sleeves falling down to hide her fingers, and inclines her head in a small, regal bow.
As the presentation ends, the darkness begins to fade, and everyone invited will find themselves standing in an ordinary room with Amaterasu, and with guards at the door and along the walls. The female shinki who had been behind her has disappeared, and she is wearing her crown again, with Sabimei standing just behind her.
It looks like she's ready to take questions now.
When: March 8, Evening
Where: The Meeting Hall
What: Amaterasu is bringing together newcomers of proven loyalty in order to share her own information and plans.
New gods and shinki who have offered their help to Amaterasu or her advisers, or who have given her information about any of the cult activities, will find a white-robed shinki knocking at their temple door or dropping by their table at the post-training meal on March 8th.
The invitations have the following text:
Lady Amaterasu invites you and your trusted allies to join her for an important announcement. The shinki who delivered this message will conduct you to the meeting.
The shinki carrying these invitations will wait until the invited person and their guests are ready, or will leave if the invitation is declined.
Guests are directed to an inner room in the Meeting Hall, where, on entry, they will discover that they seem to be floating in an endless dark void. Amaterasu stands at the center of the void, brilliantly illuminated; she's not wearing her usual mirror crown, and there is a short woman in old-fashioned white robes with the sleeves tied back standing beside her.
Amaterasu and the shinki accompanying her begin to speak once everyone has arrived. They have ink paintings of Votelli (although the features aren't very well rendered, as though it was painted from a description rather than by someone who'd seen her) and of Sotero (this painting is much more accurate and detailed.) These paintings are displayed on small stands behind Amaterasu.
"These two rogue gods have declared their enmity against myself and the Heavens through attacking and even imprisoning you, as well as attacking many of my shinki. They have even used humans as their agents to act in the mortal world." She holds out a hand to indicate the sketchier painting. "This one's name is Votelli. She is declared anathema. Should you see her, capture her, and bring her to me." The other, better-drawn painting is next. "This one's name is Sotero. He is declared anathema, and should you see him, capture him and bring him to me.
"We prefer them alive, but if they resist too fiercely to survive capture, we will still reward their captors highly."
The woman behind her takes the paintings down and folds the stands, disappearing into the dark with her armful of props, as Amaterasu continues speaking.
"We have located areas of the Near Shore that these gods have used as their sanctuaries in their invasions of the Heavens. The forest that Votelli used, many of you have visited. However, it seems that she can either hide there too well to be found unless she wills it, or she has gone elsewhere. We continue to search for her. My shinki have searched the volcano that Sotero used, as well, but with no greater success.
"It is possible that these gods have protected themselves somehow from the eyes of my shinki. I ask for your assistance searching for them both."
The woman reappears, without the easels and carrying two handfuls of charms instead; they are small, embroidered pouches that look like the charms found in the department store and around shrines at New Year's. Sabimei steps forward; he looks like he hasn't had enough sleep in weeks, and the harsh spotlight brings out the dark bags under his eyes.
"These things are using a magic I can't figure out," he says: his tone is almost petulant, but he moderates it at a reproving glare from the other shinki. "I suspect it's related to those two gods. I can tell you that they drain good fortune from anything nearby -- these are inert, don't worry, but I wouldn't keep one in my pocket if I were any of you. Burn them, or give them to me, because it's not as if I don't have enough to do--"
At another glare, he clears his throat. "In any case, placing these in our shrines at the New Year's represents a direct attack on our fortunes and our followers'. It seems that these gods consider us all enemies alike. Ask me later if you want to hear more about what I've been doing with these things." He bows, and steps back into the darkness. Amaterasu's formal demeanor softens for long enough to pat her other shinki's arm; the woman smiles down at her before tucking away the charms.
"Several humans have been implicated in assisting the enemy gods," she announces. "We do not act directly against mortals, but my shinki are watching their residences, in case our enemies should appear there. It is possible that there are more, and so, I ask that you help my shinki in that task, for if those two gods are no longer in the places that they once linked to the Heavens, then they must be concealed somewhere. My shinki will show you to these humans' residences if you are willing to assist.
"When we find them, we intend to ride to destroy them, and I invite you to join the hosts of Heaven when we do so, as well."
She folds her hands together, her long sleeves falling down to hide her fingers, and inclines her head in a small, regal bow.
As the presentation ends, the darkness begins to fade, and everyone invited will find themselves standing in an ordinary room with Amaterasu, and with guards at the door and along the walls. The female shinki who had been behind her has disappeared, and she is wearing her crown again, with Sabimei standing just behind her.
It looks like she's ready to take questions now.
no subject
[Shun doesn't know if Aymeric was asking about the Heavens' next move or their own, but he certainly knows what he's doing next.]
And I might as well put this stupid title to use and see if it means anything to them. [They might be more inclined to listen to a God of Fortune...or they might listen to nobody, but there's only one way to find out.]
no subject
That can help, using the power granted by them to make your point.
[It's subtle but he's a smart guy. If one can't see plain reason or is too blind for it, the next best thing is to use that logic and thinking against them.]
no subject
[Shun gets that the influence might be useful, at least, he's just...not exactly the ideal person if one wants diplomacy. It'd probably be better if Hakkai were around, since he at least has the patience for that sort of thing even if Shun doesn't like it, but Hibiki he feels is going to be a waste either way.]
Though I suppose they don't control who gets that many followers, either.