Shikyoin Hibiki (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
priforprince) wrote in ![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
thenearshore2019-01-21 11:01 am
priforprince) wrote in thenearshore2019-01-21 11:01 am
Entry tags:
- chris yukine | senki zesshou symphogear,
- d2 | alive,
- ginia | original character,
- hibiki shikyoin | pripara,
- minako aino | sailor moon,
- obi | akagami no shirayukihime,
- romeo | romeo's blue skies,
- tsubasa kazanari | senki zesshou symphog,
- wendy | kuroshitsuji,
- ω atem | yu-gi-oh! dm,
- ω mirei minami | pripara
Open ♔ I will change even the world!
Who: Hibiki, CelePara Talent Agency, & the whole Far Shore
When: March 27
Where: Temple Apollo, Far Shore Central District
What: Hibiki's movie screening/draw-her-homeworld-to-herself gambit. The day of revolution has dawned.
[ Act I. Prilude ]
Today is the day.
[ Hibiki's done that thing again, that thing where she forgets to lock her temple door and then monologues to herself in her office. What an inconvenient and ham-handed thing this thing is! Why, anyone who stopped by early for any reason might overhear! ]
I'll be coming to pick you up soon. Ando....Princess Falulu.
[ Hibiki is standing next to her model of Apollo's Temple, and she's talking to miniature dolls. Most of the dolls she has sorted in boxes around her are of people from the Far Shore, but the three she's addressing have never been seen here: a man in a goat suit (no, wait, that would be silly, it's a goat on two legs, that makes way more sense!), a fancy girl with long curls, and a barefoot girl with a pure smile. ]
Fuwari.
[ The longing in Hibiki's voice is so potent you could rend ayakashi with it. ]
[ Act II. Movie Screening ]
[ The seats to which usher spygoats lead everyone upon their arrival to Apollo's temple are exactly as described on the tickets Hibiki sent to old and new gods alike (what do you know, Zetta - she actually managed that...incredible....seat you were assigned). Spygoats in little concession hats roll about before the screening, offering gourmet flavored popcorn and sparkling water to any takers. Even the popcorn boxes are etched with gold filigree, and may be taken home as a memento.
One thing all seats have in common, however, is that they can see the stage. And what a stage it is.
At the appointed time, the lights dim, and Hibiki's voice can be heard echoing all around. ]
Worshippers of Apollo, bienvenue. This puniverse's eons-long drought of true entertainment ends tonight. Bathe your hearts in the oasis of extravagance and slake your thirst in the crystal springs of genius!
Tonight, I'm serving it exclusively for you. Enjoy the taste.
[ A movie screen unrolls across the stage. The same bleating goat logo for MPriM Productions as was featured in the trailer bleats its bleat across the now-darkened theater.
And the movie begins.
As anyone involved in the production can attest, it's a historical musical about a samurai who was unfairly stripped of his title by a jealous rival. The samurai is left fending for himself against the ninja assassins his rival sends against him, and is torn about turning to a life of crime to support his little sister and her sick friend. The plot only thickens when it's discovered that one of the assassins sent to take the samurai's life is actually his former lover, believed dead - but she's been brainwashed to forget him!
Will the samurai stain his hands in sin for the sake of those he loves? Will there ever be an explanation for how someone can supposedly have the world against him when every woman he meets falls violently in love with him, often singing about it? Or why a samurai movie features saloon scenes? Can the samurai rescue his beloved from the true villain, a retainer of his rival's who's been manipulating everything from behind the scenes in hopes of siezing power himself?
Yes, Archer's role ended up being the secret bad guy of the piece. What a strange happenstance.
Because our hero is noble and handsome and played by Shikyoin Hibiki, he can achieve all his aims and more! While he does steal to support those he loves, it's only ever from wicked people, and in the final battle, he not only defeats the true villain but is rewarded with a restoration of his title by the shogun. (Whose sisters are all also in love with the samurai, but that is neither here nor there.) His lover also recovers her memory of him when he saves her from the True Bad Guy, nearly losing his life in the process, and his would-be sacrifice leads her to rediscover her passion for him.
Everyone is happy who should be happy. The samurai's little sister's sick friend recovers. Even the farm animals seem happy. A cow who has been in nearly every scene, even scenes where a cow has no business appearing, seems happiest of all.
The film ends with a rousing musical number about how wonderful the samurai is, and with the samurai saying that even more amazing places await them, and as the camera pans up to the dawning of a bright and wonderful new day, music begins to swell throughout the theater again. The screen fades, but four girls rise on Ionic columns from beneath the stage, their backs to the audience. Acquaintances may recognize them as Natsuru, Wendy, Elfnein, and Tsubasa.
And everyone had better recognize who's rising up in the center of the stage now. Her back is also to the audience, and. And.
Oh. Oh, Hibiki.
No. ]
[ Act III. Revolution ]
Now! The first act of revolution has concluded!
[ Hibiki lifts her mic towards the ceiling. A faint glimmer of light can be seen there. ]
Our radiance calls our quarry to us. Resound, across primensions! Captivate PriPara and draw it towards us!
[ The columns lower the four girls back onto the stage. Hibiki's column just plain vanishes. She drops, twirling around as she does, so she lands in a flurry of purple sparkles on one knee with her mic out, then stands. Music strikes up, all around. ]
[ The "Special Performance After The Show" begins! It's a live musical number, though resplendent with immersive illusions that take the audience, one by one, to different vistas through which Elfnein, Wendy, Tsubasa, and Natsuru sing and dance with Hibiki. They keep dancing together even once they return to the original set, with Hibiki eschewing the big finish at first in favor of going on to a sultry jazz solo, gesturing to each of her members in turn but mostly showering herself in her own splendor. This is her moment. This is her revolution. And she will sing the full version.
At last, however: ]
[ Everyone sprouts wings. Hibiki's fellow singers all have gold wings, but Hibiki's - Hibiki's are special. ]
Ah ha ha! Ah ha ha ha!
[ The light up above grows as CelePara Talent Agency zips through the air. Hibiki twirls higher, higher, ever higher. The others take each other's hands, but Hibiki soars higher still, and instead of a bell appearing, there's just light, that light, and within it -
Is there something within the light - ?! ]
This is my revolution! My divinity! I drop the curtain on this forsaken stage!
[ The music reaches its climax. Hibiki stretches out a hand - ]
What a
[ It's getting closer, everything is bathed in light - ]
Wonder
[ Hibiki takes a deep breath. Hibiki smiles, a smile full of unrestrained, unrefined glee - ]
PriPara World--!!
[ Drums crash. Cymbals ring. And just as the music ends, Hibiki's fingers -
hit a wall. ]
[ Act IV. -- ]
[ The lights go off.
The music has ended. The set has vanished. The members of CelePara Talent Agency appear back onstage again, all illusions dissipated. Nothing's left but a darkened concert hall, the audience, and Hibiki, frozen in place with her fingertips lightly pressed against the topmost part of the hall's ceiling. ]
Wh....at?
[ She blinks, like she can't believe what she's feeling. She stares at the ceiling in front of her, at the darkness and the solid pressure against her hand. For a long moment, she remains there, suspended in time and space. Everything is silent.
Then, slowly, staggeringly, Hibiki tips backwards and floats back to the stage. Her wings and legs give out in tandem, and she collapses to her knees about a foot above the floor. The hand that'd hit the ceiling falls, useless, to her side. ]
PriPara.....didn't come?
[ The spygoats begin gathering in the doors of the hall. This...is not what they were supposed to record. This is bad, right? They should. Do something. Something for Maa-ster. ]
Everything was...illusion.
[ Hibiki's eyes are open, but it sure doesn't look like she can see the concert hall around her - or any of the people here for her show. She's the only one privy to whatever drama she's looking at right now. ]
PriPara.....
[ Her lips tremble. Her head bows. She's sweating. And her voice is quiet
so quiet. ]
......isn't coming?
[ Spygoats burst through the doorways, pouring in en masse to begin attempting to push, cajole, and otherwise encourage everyone to leave in a cute, polite, but firm manner. Right, okay! Maa-ke your way to the exits, please. Flock this way! In case you haven't herd, the presentation has concluded. Maa-ny thanks for your attendance today....
Anyone who's determined enough to get through to where Hibiki's kneeling will be able to. But if you were just here to spectate, the goats will see you out now. There is nothing more to witness today.
Not when Maa-ster is kneeling there, so small.
Not when Maa-ster looks so alone. ]
[[ ooc: Characters are welcome to use this post as a mingle to heckle/comment on any parts of the show amongst each other, in addition to tagging in with prompts meant for Hibiki or other members of CelePara Talent Agency. Hibiki will not be coming out of the concert hall to speak to anyone who the goats manage to expel, however.
And a warning to anyone who stays: she might....explode. ]]
When: March 27
Where: Temple Apollo, Far Shore Central District
What: Hibiki's movie screening/draw-her-homeworld-to-herself gambit. The day of revolution has dawned.
[ Act I. Prilude ]
Today is the day.
[ Hibiki's done that thing again, that thing where she forgets to lock her temple door and then monologues to herself in her office. What an inconvenient and ham-handed thing this thing is! Why, anyone who stopped by early for any reason might overhear! ]
I'll be coming to pick you up soon. Ando....Princess Falulu.
[ Hibiki is standing next to her model of Apollo's Temple, and she's talking to miniature dolls. Most of the dolls she has sorted in boxes around her are of people from the Far Shore, but the three she's addressing have never been seen here: a man in a goat suit (no, wait, that would be silly, it's a goat on two legs, that makes way more sense!), a fancy girl with long curls, and a barefoot girl with a pure smile. ]
[ The longing in Hibiki's voice is so potent you could rend ayakashi with it. ]
[ Act II. Movie Screening ]
[ The seats to which usher spygoats lead everyone upon their arrival to Apollo's temple are exactly as described on the tickets Hibiki sent to old and new gods alike (what do you know, Zetta - she actually managed that...incredible....seat you were assigned). Spygoats in little concession hats roll about before the screening, offering gourmet flavored popcorn and sparkling water to any takers. Even the popcorn boxes are etched with gold filigree, and may be taken home as a memento.
One thing all seats have in common, however, is that they can see the stage. And what a stage it is.
At the appointed time, the lights dim, and Hibiki's voice can be heard echoing all around. ]
Tonight, I'm serving it exclusively for you. Enjoy the taste.
[ A movie screen unrolls across the stage. The same bleating goat logo for MPriM Productions as was featured in the trailer bleats its bleat across the now-darkened theater.
And the movie begins.
As anyone involved in the production can attest, it's a historical musical about a samurai who was unfairly stripped of his title by a jealous rival. The samurai is left fending for himself against the ninja assassins his rival sends against him, and is torn about turning to a life of crime to support his little sister and her sick friend. The plot only thickens when it's discovered that one of the assassins sent to take the samurai's life is actually his former lover, believed dead - but she's been brainwashed to forget him!
Will the samurai stain his hands in sin for the sake of those he loves? Will there ever be an explanation for how someone can supposedly have the world against him when every woman he meets falls violently in love with him, often singing about it? Or why a samurai movie features saloon scenes? Can the samurai rescue his beloved from the true villain, a retainer of his rival's who's been manipulating everything from behind the scenes in hopes of siezing power himself?
Yes, Archer's role ended up being the secret bad guy of the piece. What a strange happenstance.
Because our hero is noble and handsome and played by Shikyoin Hibiki, he can achieve all his aims and more! While he does steal to support those he loves, it's only ever from wicked people, and in the final battle, he not only defeats the true villain but is rewarded with a restoration of his title by the shogun. (Whose sisters are all also in love with the samurai, but that is neither here nor there.) His lover also recovers her memory of him when he saves her from the True Bad Guy, nearly losing his life in the process, and his would-be sacrifice leads her to rediscover her passion for him.
Everyone is happy who should be happy. The samurai's little sister's sick friend recovers. Even the farm animals seem happy. A cow who has been in nearly every scene, even scenes where a cow has no business appearing, seems happiest of all.
The film ends with a rousing musical number about how wonderful the samurai is, and with the samurai saying that even more amazing places await them, and as the camera pans up to the dawning of a bright and wonderful new day, music begins to swell throughout the theater again. The screen fades, but four girls rise on Ionic columns from beneath the stage, their backs to the audience. Acquaintances may recognize them as Natsuru, Wendy, Elfnein, and Tsubasa.
And everyone had better recognize who's rising up in the center of the stage now. Her back is also to the audience, and. And.
Oh. Oh, Hibiki.
No. ]
[ Act III. Revolution ]
Now! The first act of revolution has concluded!
[ Hibiki lifts her mic towards the ceiling. A faint glimmer of light can be seen there. ]
Our radiance calls our quarry to us. Resound, across primensions! Captivate PriPara and draw it towards us!
[ The columns lower the four girls back onto the stage. Hibiki's column just plain vanishes. She drops, twirling around as she does, so she lands in a flurry of purple sparkles on one knee with her mic out, then stands. Music strikes up, all around. ]
[ The "Special Performance After The Show" begins! It's a live musical number, though resplendent with immersive illusions that take the audience, one by one, to different vistas through which Elfnein, Wendy, Tsubasa, and Natsuru sing and dance with Hibiki. They keep dancing together even once they return to the original set, with Hibiki eschewing the big finish at first in favor of going on to a sultry jazz solo, gesturing to each of her members in turn but mostly showering herself in her own splendor. This is her moment. This is her revolution. And she will sing the full version.
At last, however: ]
[ Everyone sprouts wings. Hibiki's fellow singers all have gold wings, but Hibiki's - Hibiki's are special. ]
Ah ha ha! Ah ha ha ha!
[ The light up above grows as CelePara Talent Agency zips through the air. Hibiki twirls higher, higher, ever higher. The others take each other's hands, but Hibiki soars higher still, and instead of a bell appearing, there's just light, that light, and within it -
Is there something within the light - ?! ]
This is my revolution! My divinity! I drop the curtain on this forsaken stage!
[ The music reaches its climax. Hibiki stretches out a hand - ]
What a
[ It's getting closer, everything is bathed in light - ]
Wonder
[ Hibiki takes a deep breath. Hibiki smiles, a smile full of unrestrained, unrefined glee - ]
PriPara World--!!
[ Drums crash. Cymbals ring. And just as the music ends, Hibiki's fingers -
hit a wall. ]
[ Act IV. -- ]
[ The lights go off.
The music has ended. The set has vanished. The members of CelePara Talent Agency appear back onstage again, all illusions dissipated. Nothing's left but a darkened concert hall, the audience, and Hibiki, frozen in place with her fingertips lightly pressed against the topmost part of the hall's ceiling. ]
Wh....at?
[ She blinks, like she can't believe what she's feeling. She stares at the ceiling in front of her, at the darkness and the solid pressure against her hand. For a long moment, she remains there, suspended in time and space. Everything is silent.
Then, slowly, staggeringly, Hibiki tips backwards and floats back to the stage. Her wings and legs give out in tandem, and she collapses to her knees about a foot above the floor. The hand that'd hit the ceiling falls, useless, to her side. ]
PriPara.....didn't come?
[ The spygoats begin gathering in the doors of the hall. This...is not what they were supposed to record. This is bad, right? They should. Do something. Something for Maa-ster. ]
Everything was...illusion.
[ Hibiki's eyes are open, but it sure doesn't look like she can see the concert hall around her - or any of the people here for her show. She's the only one privy to whatever drama she's looking at right now. ]
PriPara.....
[ Her lips tremble. Her head bows. She's sweating. And her voice is quiet
so quiet. ]
......isn't coming?
[ Spygoats burst through the doorways, pouring in en masse to begin attempting to push, cajole, and otherwise encourage everyone to leave in a cute, polite, but firm manner. Right, okay! Maa-ke your way to the exits, please. Flock this way! In case you haven't herd, the presentation has concluded. Maa-ny thanks for your attendance today....
Anyone who's determined enough to get through to where Hibiki's kneeling will be able to. But if you were just here to spectate, the goats will see you out now. There is nothing more to witness today.
Not when Maa-ster is kneeling there, so small.
Not when Maa-ster looks so alone. ]
[[ ooc: Characters are welcome to use this post as a mingle to heckle/comment on any parts of the show amongst each other, in addition to tagging in with prompts meant for Hibiki or other members of CelePara Talent Agency. Hibiki will not be coming out of the concert hall to speak to anyone who the goats manage to expel, however.
And a warning to anyone who stays: she might....explode. ]]
no subject
So it does.
Hibiki thinks about this. Hibiki lets it settle over her, like a blanket or a pair of pegasus wings. Princess Celestia considers her a friend? And that's why....
That's why, even when denounced....
Then, all the time they've spent together hasn't been as a Princess and her Prince, but as.....
....
.....This is a rather enveloping situation. ]
...It's too warm.
[ She's quiet, again. But it's a softer, somewhat absentminded quiet. ]
no subject
You need some warmth right now.
no subject
[ did the brilliant prince
just blush
CLEARLY IT'S FROM THE HEAT
THE HEAT THAT SHE HAD BEEN TALKING ABOUT ]
no subject
It is all right to feel bad, to feel sad and upset right now. But you are not alone.
no subject
This merits thought. She....isn't alone? Celestia has been her friend, all this time. Come to think of it, Chinatsu, too. Lavi. Could she....could she have been so focused on what she'd left behind that she didn't fully notice where she'd arrived? Could she, she who still can't bring herself to say things like "everyone's friends" when it applies to herself, have at least - at least found a few more people worthy of trust?
Is that why her revolution failed....? Because her destiny, as the most brilliant god in the Heavens (her confidence that this, at least, is true, has not wavered), is to reach forward instead of back....?
It's a lot. A lot of cloying sentiment. ]
Stifling.
[ The haughtiness has returned to her voice now.
.....But. This mille-feuille-like sweetness isn't all bad. ]
no subject
[She can understand how Hibiki feels in this moment. The sudden rush of magic that comes with discovering the true nature of friendship can take so many paths, invoke so many different feelings. And thought Hibiki's voice appears to have clawed its way up from the depths -- though like as not that's a front -- Celestia notes she is not struggling, not yet.]
I'm happy, being able to hug you.
no subject
[ Then, one more moment. Time it perfectly.....
Okay, that's enough. Hibiki does try to lift that leg up and over herself now, though she does so with more more consideration than her previous futile flailing. ]
Such gestures are no longer necessary. No need to fret.
[ she's
she's worried you, hasn't she
her bad ]
no subject
[Gently, Celestia releases the girl from her grip, though she doesn't move to pull away or hurry backwards. Or even stand up.]
They're more necessary than you know. In general, as well.
[She does't ask 'will you be all right', because in this tone of voice Hibiki's answer can't exactly be trusted. And because Hibiki will be all right. She is an extraordinarily resilient mare, if perhaps more fragile than she will ever admit. No matter how she breaks, she will pick herself back up and pull herself together. Even if she is only now discovering that sometimes one needs friends to do that, and that friendship makes it easier overall.]
I might consider pushing them on you now and again, after this.
no subject
[ SHE DOESN'T KNOW HOW SHE FEELS ABOUT HUGS SO HERE IS SOME SMOOTHNESS INSTEAD
Hibiki turns to leave, a lot on her mind. Celestia....Celestia is her friend. Hibiki said the most hurtful thing she could think of to Celestia, and Celestia stayed. Hibiki is going to have to brood on the implications of everything that has happened today, and she'd rather do that by herself.
But, first, softly, because a Prince knows what's due to those who stand by her side: ]
...I'm indebted to you.
no subject
Debts between friends are paid by friendship. Grant me that and all things between us are equal. In both ways.
[Celestia isn't insensitive to how Hibiki has tried to aid her. Deigning to try funnel cakes, for example (though that had worked out to Hibiki's benefit as well). Hibiki knows more than she realizes, and has learned more than she knows.]
And if you've need, I'm only a phone call away.
Or text.
no subject
[ Hibiki turns to go. Her full, true feelings remain unsaid, hanging in the air all around her. She can't bring herself to let them pass her lips, but as she leaves, she says nothing because it's all she can think.
Thank you. ]
no subject
[Celestia isn't sure if her ministrations will be enough. But she doesn't need to be. Hibiki has others she can turn to, others who will come to her. Others who will push through her walls and her barriers to wake her up to the truth.]
[That's the magic of friendship.]